A teaser of the old-school acid sounds of the Analord series, the Analord 10 EP contains one of Aphex Twin's best tracks.
Tag: Richard D James
Aphex Twin – Drukqs
A true labyrinth of an album, Drukqs is a journey that might take you into the depths of your own psyche.
AFX – 2 Remixes by AFX
Unusually for Aphex Twin remixes, these bear some resemblance to the originals, albeit taking them in unexpected directions. Both cuts are peak Aphex for me, demanding your full attention with their insatiable energy as soon as they come on.
Aphex Twin – Windowlicker
The Windowlicker track and video are so entwined it's difficult to separate the two. Landing in that confluence between analogue warmth and rubberised digital weirdness; the r'n'b cadences and human moans and groans always at the mercy of being overpowered by atonal walls of static and undanceable programmed rhythms.
Aphex Twin – The Richard D James Album
The Richard D James Album is all the more impressive for its short duration, given the sheer breadth of creativity on display and how comprehensively James builds a self-contained sound-world that fizzes with contemporary influences yet exists purely on its own terms.
GAK – GAK EP
The four tracks on the GAK EP are reportedly demos that Richard D James had sent to Warp Records before he was signed; which were then put out as an EP following the release of his second album on the label. Listening to these tracks, which I may have heard only once before, I can … Continue reading GAK – GAK EP
Bradley Strider – Bradley’s Beat & Bradley’s Robot EPs
The only two releases Richard D James put out under the Bradley Strider alias, a nice little find if you're after some off-kilter but on-point rave fuel.
Aphex Twin – Ventolin EP
The title track is notorious as perhaps one of the most unlistenable pieces in electronic music.
Aphex Twin – Donkey Rhubarb
Donkey Rhubarb is an odd release, as idiosyncratic and unsettling as Aphex Twin always is.
Aphex Twin – I Care Because You Do
The album's beauty lies in the counterpoint between the hard and soft edges, jagged percussion and soothing melodies, screeching clamour and woozy respite.









