Welcome to my blog, I write about the music I like.
On Tall Tales, Thom Yorke and Mark Pritchard paint nightmarish and hallucinatory landscapes populated by monstrous entities, which are brought to eye-popping life by visual artist Jonathan Zawada.
Presenting a much more accessible packaging of Squarepusher product, I'd hesitate to describe Hello Everything as "Squarepusher goes pop". But it could be seen as an attempt to go back to basics and is the perfect introduction to his music. Check out my video review
At 78 minutes, Ultravisitor is Squarepusher's longest album, bringing together live instrumentation as well as the micro-edited breakbeats and experimental synthesis that had characterised his sound up to that point. The cover photo really invites us to regard this as his most personal album to date. Check out my video review
A curious side-step between two of his greatest works poses an intriguing question, Do you know Squarepusher? To find out, Check out my video review
Dropping in a peak year for so called intelligent dance music, Go Plastic is my favourite release by Tom Jenkinson which saw him abandon live instruments, hardware and jazz influences, in favour of pure digital manipulation of breakbeats in homage to genres such as drum’n’bass, jungle and UK Garage. Check out my video review
Something of an oddity in the Squarepusher discography, Selection Sixteen features live instruments, jazz influences as well as heavy use of the Roland 303 bass synth, most typically known for its use in acid house. Check out my video review
Hard Normal Daddy was Squarepusher's first album to come out on Warp Records, the label that would remain his home until the present day. Released in 1997, it’s a far more consistent and comprehensive artistic statement than his debut. Check out my video review
Britpop was one of those scenes where virtually none of the acts associated with it particularly relished the label, and in most cases actively rejected it. And of all the bands who rose to fame around that time, Pulp probably sat most uncomfortably of all under that banner. A band of misfits, fronted by the … Continue reading Pulp – More (2025) – Album Review
Take a deep dive into Feed Me Weird Things, the debut album from Squarepusher (aka Tom Jenkinson), released in 1996 on Aphex Twin’s Rephlex label. Check out my video review
A true labyrinth of an album, Drukqs is a journey that might take you into the depths of your own psyche.
George's Music Blog 