Welcome to my blog, I write about the music I like.
While Ufabulum surprised many Squarepusher fans with its shiny, synth-heavy sound and lack of amen breaks, bass guitar, jazz-fusion or Roland 303, I argue it still bears the hallmarks of classic Tom Jenkinson. And a reminder of why he’s considered a leading light in electronic music, braindance, IDM, call it what you will. Check out my video review
Presenting a much more accessible packaging of Squarepusher product, I'd hesitate to describe Hello Everything as "Squarepusher goes pop". But it could be seen as an attempt to go back to basics and is the perfect introduction to his music. Check out my video review
At 78 minutes, Ultravisitor is Squarepusher's longest album, bringing together live instrumentation as well as the micro-edited breakbeats and experimental synthesis that had characterised his sound up to that point. The cover photo really invites us to regard this as his most personal album to date. Check out my video review
A curious side-step between two of his greatest works poses an intriguing question, Do you know Squarepusher? To find out, Check out my video review
Dropping in a peak year for so called intelligent dance music, Go Plastic is my favourite release by Tom Jenkinson which saw him abandon live instruments, hardware and jazz influences, in favour of pure digital manipulation of breakbeats in homage to genres such as drum’n’bass, jungle and UK Garage. Check out my video review
This is a completely arbitrary format, as no artist's discography can be reduced to ten tracks, nevermind someone with as varied and continually experimental output as Squarepusher. That's why this is Ten of the Best, not 'The Best Ten'. Sure, everyone's got their own list and I could do another ten for Squarepusher sometime, but … Continue reading Squarepusher – Ten of the Best
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