Nicolas Jaar's work as Darkside pulls off the feat of being deeply moody yet catchy, combining extended psychedelic grooves, richly detailed atmospherics and unexpected earworms.
Tag: Electronic music
Daniel Avery – Together in Static (2021) – Album Review
Together in Static is Avery’s document from a strange time and feels like a neat encapsulation of the feelings – hope, uncertainty, anticipation - shared by everyone looking forward to experiencing their next live music experience.
Loraine James – Reflection (2021) – Album Review
Rather than club music or urban music, Loraine James says that first and foremost, she produces ‘experimental music’.
µ-Ziq – Scurlage (2021) – Album Review
It’s characteristic of the album as a whole, and in fact much of µ-Ziq’s discography - that Mike Paradinas' best moments come when he plays it a bit lighter and doesn’t overcomplicate things.
Skee Mask – Pool (2021) – Album Review
With the release of his third full-length album, Bryan Müller a.k.a. Skee Mask has surely established himself as one of the leading figures at the vanguard of electronic music.
John Beltran – The Season Series (2020)
Using deceptively simple elements - piano, guitar, synths and the occasional angelic vocal sample, John Beltran has done a majestic job on The Season Series of channeling the beauty and fragility of nature, as well as capturing its state of constant flux.
Ten of the best – 1996
Having recently noticed the 25-year anniversaries of some classic albums, I realised just how many of my favourites were released in 1996. So here's ten of them. Far from being a definitive list, these are just ten albums I'm particularly fond of. They're not presented in any sort of rank order, and comparin say Eels, … Continue reading Ten of the best – 1996
Andy Stott – Never the Right Time (2021)
Andy Stott's music is defined by the ever-present feeling of friction, the rub of needles bouncing into the red zone on a bank of dials. But this is tempered by a languid sensuality.
Tobacco – Fucked up Friends 3 (2021)
There are certain circles of alternative music in which vintage analogue synths will forever be cool, and where a certain shiny sound that briefly pervaded pop music is perpetually recreated, celebrated and fetishised.
Mouse on Mars – AAI (2021)
Despite its patchy nature, AAI is worth listening to, and the questions it poses will need answering sooner rather than later, or the machines will answer them for us.









