Welcome to my blog, I write about the music I like.
One of electronic music's most unlikely figures and dogged survivors, Moby has once again found a new audience, when his 1995 track, When it's Cold I'd Like to Die was featured on Stranger Things. Future Quiet also features reworks from his previous album, stripped down to sparse piano and strings, in an attempt to create a space of peace and refuge.
20 years after he was first labelled as folktronica, Four Tet's collaboration with folk guitarist, William Tyler, could ironically match that description. With expansive and gentle soundscapes populated by acoustic guitar and Kieran Hebden's electronic sculptures.
Usually releasing a blend of glitch, IDM and various urban styles under her own name, Whatever the Weather is an outlet for Loraine James’ more ambient leaning work.
Supposedly inspired by sounds Richard James heard while lucid dreaming, Selected Ambient Works 2 is both dreamlike and nightmarish, at times serene, lush and pleasant to listen to, at others, creepy, menacing and unsettling.
The On EP sees Aphex Twin go beyond the confines of something resembling dance music and into a realm that exists on his own terms.
The advent of '93 sees Richard D James entering a particularly fruitful patch of creativity, which he'd ride with a slew of albums and EPs for pretty much the rest of the decade.
Richard D James' full-length debut - a classic of electronic music, whose influence is still felt to this day.
This week, I've been listening to Dry Cleaning's first two EPs, Sweet Princess and Boundary Road Snacks & Drinks, and the new GCOM project by Tom Middleton.
This week I have been listening to Entangled Routes by Pye Corner Audio, Quivering in Time by Eris Drew, Methodrone by The Brian Jonestown Massacre and Make Me Know You Sweet by Pendant.
Nicolas Jaar's work as Darkside pulls off the feat of being deeply moody yet catchy, combining extended psychedelic grooves, richly detailed atmospherics and unexpected earworms.
George's Music Blog 