Immersing yourself in Colourgrade for the entirety of its forty-minute duration is an experience akin to being cocooned in a soft, warm duvet, in a state somewhere between sleep and wakefulness, as reality melts into daydreams and your limbs melt into the bed.
Tag: Album Review
DARKSIDE – Spiral (2021) – Album Review
Nicolas Jaar's work as Darkside pulls off the feat of being deeply moody yet catchy, combining extended psychedelic grooves, richly detailed atmospherics and unexpected earworms.
Snapped Ankles – Forest of Your Problems (2021) – Album Review
Forest of Your Problems maintains a high energy level throughout, with the band not missing a beat as they transition from post-punk, to wigged out synth jams to the funky, ‘The Prince is Back’.
Daniel Avery – Together in Static (2021) – Album Review
Together in Static is Avery’s document from a strange time and feels like a neat encapsulation of the feelings – hope, uncertainty, anticipation - shared by everyone looking forward to experiencing their next live music experience.
Loraine James – Reflection (2021) – Album Review
Rather than club music or urban music, Loraine James says that first and foremost, she produces ‘experimental music’.
µ-Ziq – Scurlage (2021) – Album Review
It’s characteristic of the album as a whole, and in fact much of µ-Ziq’s discography - that Mike Paradinas' best moments come when he plays it a bit lighter and doesn’t overcomplicate things.
Skee Mask – Pool (2021) – Album Review
With the release of his third full-length album, Bryan Müller a.k.a. Skee Mask has surely established himself as one of the leading figures at the vanguard of electronic music.
John Beltran – The Season Series (2020)
Using deceptively simple elements - piano, guitar, synths and the occasional angelic vocal sample, John Beltran has done a majestic job on The Season Series of channeling the beauty and fragility of nature, as well as capturing its state of constant flux.
Sofia Kourtesis – Fresia Magdalena (2021) – Review
As it traverses that blurred spectrum from house to techno, Fresia Magdalena remains an invitingly warm record, with its vintage crackles and hiss of analogue. But Kourtesis is careful to include just the right amount of crunch and poke to prevent things getting too soft around the edges.
Leon Vynehall – Rare, Forever (2021)
Leon Vynehall is not afraid of exploring weighty topics with his music and in contrast to many electronic artists, revealing much about his own identity in the process. On his latest album ‘Rare, Forever, this includes his own doubts, anxieties and fears, both as an artist and a human being.









