Welcome to my blog, I write about the music I like.
20 years after he was first labelled as folktronica, Four Tet's collaboration with folk guitarist, William Tyler, could ironically match that description. With expansive and gentle soundscapes populated by acoustic guitar and Kieran Hebden's electronic sculptures.
Hard Normal Daddy was Squarepusher's first album to come out on Warp Records, the label that would remain his home until the present day. Released in 1997, it’s a far more consistent and comprehensive artistic statement than his debut. Check out my video review
Britpop was one of those scenes where virtually none of the acts associated with it particularly relished the label, and in most cases actively rejected it. And of all the bands who rose to fame around that time, Pulp probably sat most uncomfortably of all under that banner. A band of misfits, fronted by the … Continue reading Pulp – More (2025) – Album Review
The Richard D James Album is all the more impressive for its short duration, given the sheer breadth of creativity on display and how comprehensively James builds a self-contained sound-world that fizzes with contemporary influences yet exists purely on its own terms.
Probably the most famous 'unofficial' Aphex Twin collection, Melodies from Mars has never seen an official release, despite the mp3s being in circulation for years.
The Smile succeed on their own terms, pushing a hybrid mix of styles that could only make sense in the 2020s.
Topical Dancer is a record for our politically charged times, when questions of race, identity, gender and equality never seem to be far from the surface.
E’s song-writing prowess is undeniable; his characteristic turn-of-phrase and the ease at which he turns out catchy ditty one after the other gives you the feeling he could do this in his sleep.
A few more late finds from 2021, including robust breakbeat techno from Ryan James Ford, syrupy synth pop from Men I Trust, and snaking beats winding their way through the streets of Lagos from Emeka Ogboh. And given how much I loved Mrs Jynx's collaboration with µ-Ziq, on Secret Garden last year - it seemed high time to check out more of her discography.
Despite its throwback nature, a predilection for 80s synth pop is not a requirement for enjoying ‘A Way Forward’. The song-writing is so assured and the production so meticulous production, that anyone who takes pleasure in unashamed, life-affirming pop music will find much to savour here.
George's Music Blog 