Under Tangled Silence is an intentional and self-aware record, almost wilfully slipping between categories and resisting definition. But for all that artful poise, it’s also a record with a soul, and particularly in the unadorned piano, the sound of an artist daring to show something of themselves in their music
Month: Dec 2025
Blawan – SickElixir (2025) – Album Review
SickElixir is a dank, dark, claustrophobic and at times downright unsettling listening experience. But for all that, it’s also a startling bold and original piece of work. One that sees Blawan evolve and elevate his sound to a place where he’s pretty much alone, influence-wise.
Kieran Hebden, William Tyler – 41 Longfield Street late 80s (2025) – Album Review
20 years after he was first labelled as folktronica, Four Tet's collaboration with folk guitarist, William Tyler, could ironically match that description. With expansive and gentle soundscapes populated by acoustic guitar and Kieran Hebden's electronic sculptures.
Squarepusher – Ufabulum (2012) – Album Review
While Ufabulum surprised many Squarepusher fans with its shiny, synth-heavy sound and lack of amen breaks, bass guitar, jazz-fusion or Roland 303, I argue it still bears the hallmarks of classic Tom Jenkinson. And a reminder of why he’s considered a leading light in electronic music, braindance, IDM, call it what you will. Check out my video review
Mark Pritchard & Thom Yorke – Tall Tales (2025) – Album Review
On Tall Tales, Thom Yorke and Mark Pritchard paint nightmarish and hallucinatory landscapes populated by monstrous entities, which are brought to eye-popping life by visual artist Jonathan Zawada.
Squarepusher – Hello Everything (2006) – Album Review
Presenting a much more accessible packaging of Squarepusher product, I'd hesitate to describe Hello Everything as "Squarepusher goes pop". But it could be seen as an attempt to go back to basics and is the perfect introduction to his music. Check out my video review





