Kettel - My Dogan (2006). The Dutch musician, Reimer Eising, aka Kettel, is something of a rarity in electronic music circles (especially those tagged with the joyless term ‘IDM’) in that his tracks are by and large, exceedingly jolly. In what tends to be a very self-consciously serious genre of music, generated by circuit boards … Continue reading 30/07/20 This week I have been mostly listening to…
Category: This week’s listening
A run through of what I have been mostly listening to this week
18/07/20 This week I have been mostly listening to…
Meat Beat Manifesto - Impossible Star (2019). Every now and then you come across a band or artist which makes you wonder why on earth you weren’t listening to them years ago. To be fair, I have been vaguely aware of the descriptively named Meat Beat Manifesto for a long time, but never gave them … Continue reading 18/07/20 This week I have been mostly listening to…
14/07/20 This week I have been mostly listening to…
Oneohtrix Point Never - Replica (2011). Oneohtrix Point Never is probably my most ‘ignored’ electronic artist of the last decade. Universally lauded, he seems to be held in very high regard wherever I turn online. I tried to listen to a couple of tracks some years ago to see what all the fuss was about … Continue reading 14/07/20 This week I have been mostly listening to…
11/06/20 This week I have been mostly listening to
To Rococo Rot - The Amamtuer View (1999). I was prompted to listen to To Rococo Rot while reading Paul Morley’s book, Words and Music. It’s an intriguing, informative yet also maddeningly frustrating book, which I won’t go into detail on here. Apart from to say it seems to be part autobiography and part potted … Continue reading 11/06/20 This week I have been mostly listening to
29/05/2020 – This week I have been mostly listening to
Andrea - Ritorno (2020). This is another record, along with Shred and Compro by Skee Mask and Engravings by Forest Swords, which is fast becoming one of my favourite electronic albums of the last 12 months (that I’ve listened to - those others weren’t released in the last 12 months). I’m finding it hard to … Continue reading 29/05/2020 – This week I have been mostly listening to
20/05/20 This week I have been mostly listening to
Global Communication - 76:14 (1994). I am nowhere near the first to say it, but what an incredible album this is. 76:14 will no doubt be considered by many as the peak of the early 90s ambient house / listening techno scene (explosion is much too vigourous a term for such chilled out music). 76:14 … Continue reading 20/05/20 This week I have been mostly listening to
14/05/2020 This week I have been mostly listening to
Sabres of Paradise - Sabresonic II (1995). I think it’s fair to say the Sabersonic albums are generally considered classics of 1990s electronic music. It was on this understanding that I bought it on CD years ago, when I was filling in what I perceived to be crucial gaps in my collection of Warp, Ninja … Continue reading 14/05/2020 This week I have been mostly listening to
30/04/20 This week I have been mostly listening to
Future Sound of London - Archived 8 (2015). I have something of a blind spot when it comes to releases that aren’t ‘proper’ albums, i.e. previously unreleased material, special editions with alternative versions of tracks, b-sides, compilations, etc. But the Future Sound of London are responsible for some seminal groundbreaking releases (not to mention some … Continue reading 30/04/20 This week I have been mostly listening to
21/04/2020 This week I have been mostly listening to
Jodey Kendrick - EDM A2, EDM B2 (2013). Don't be misled by the EDM abbreviation; this pair of releases, strangely badged as if compilations by a selection of artists, but apparently solely the work of Jodey Kendrick, contains some of the best breakbeat-acid-eletro Braindance I’ve heard this side of the Tuss EP. (Well, until James … Continue reading 21/04/2020 This week I have been mostly listening to
07/04/2020 This week I have been mostly listening to
Skee Mask - Shred (2016). The strength of this album, along with 2018’s Compro, is pushing Skee Mask towards the top of my current favourite electronic artists. I’m finding it hard to articulate why his music is so good, or even really to describe it. Breakbeat techno, I guess. Moody, cinematic, expansive. He is adept … Continue reading 07/04/2020 This week I have been mostly listening to